I don’t know if I gave those sorts of thing consideration or not, to be honest. How did you feel during the whole Britpop period in the 1990s, when every young band seemed to want to dress like you? Was it flattering? Or annoying or funny? From there it grew into the whole skinhead thing, which was a massive influence then and still is now. For me it was that period in the late 1960s, when I was around ten or eleven, that I properly got into it. Whatever kind of music you were into reflected in the way you dressed. All those things, they were all cultural touchstones, so it’s just sort of ingrained in me really. It was how you looked and what music you listened to and probably, at the time, what football team you supported. Everything went hand in hand with me, music and style. I think it’s just something that’s kind of been drilled into me from a very young age, you know, growing up when I did, being too young to be part of the 1960s, as such, but still being old enough to be affected by it and influenced by it.
There’s only one thing we had to outsource and everything else they made in the factory.
Also, I wanted to make sure there wasn’t anything they felt they couldn’t handle. I just wanted something a little bit different with the collar, so I kind of based it on a Brooks Brothers polo shirt I bought a couple years ago. Well, I know they’ve done polo shirts in the past. Was it important to have a polo shirt in the collection?
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